![]() ![]() I wouldn’t ever have somebody come in and write the last draft of my novel or short story, and so right now I can’t imagine ever not editing one of my movies. Then you’re working with the music and a composer and taking away or adding sound, and for me, that’s all just another part of the storytelling. You’re trying to make their best stuff even better. “You’re still working with the actors - they’re not there, but you’re using different takes to put together a performance they never gave. Sayles added that editing his own movies is less about economics than maintaining authorial control in the way that writing novels accustomed him to. Though he has on occasion worked with outside editors, for the most part, Sayles edits his own films, and he thinks like an editor when writing and directing to make sure he’s only getting exactly what he needs when shooting - though he did shoot three scenes (including one with himself as a border patrol agent) that he cut from “Lone Star.” “They weren’t bad, we just didn’t need them,” Sayles said. “Lone Star” ©Sony Pictures/Courtesy Everett Collection Think Like an Editor Business Owners in Texas Small Business Owners. “Once you show that, then you can go to tighter shots, but in the audience’s head they know the space is there.” “Often we have not been able to afford a crane, but sometimes it’s like, ‘Well, if we climb up there on top of that building we can get a nice shot.'” For one scene in “Lone Star,” Sayles found a location where he could shoot from a roof across the street and give a feeling of size. They’re only shooting part of them.'” That power of suggestion extends to getting expansive establishing shots whenever possible. There’s nobody on the other side of them, but it feels like, ‘Oh, they’re throwing people away. “If you want the feeling that there’s a big crowd watching something, you get 12 people,” Sayles said, “but when you frame your shot, you’re cutting some of the people in half.” By showing only half of the actors positioned at either edge of the frame, “That extends the crowd. ![]() ![]() So we shot on the other side of the fence, with all the equipment in the background, and didn’t have to deal with the military or anything like that.” Let Actors and Action Bleed Outside of the Frame “They had all this military equipment, and there was just a fence. So we said, ‘Well, thanks for all your information, we’re going to do this without you.'” Knowing that several former military bases around the country had closed and been turned into junior colleges, Sayles asked around and discovered that there was not only a junior college that could double as an Army base, but there was a National Guard headquarters next door. “At first we started talking with the guy who deals with publicity and movies for Fort Sam Houston, and we realized that the Army rules were that he had to be on the set - not just if we were doing something where military guys were doing military things, but in their home scenes as well. “Lone Star” ©Columbia Pictures/Courtesy Everett CollectionĪnother important location was an Army base. ![]()
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